Lecturer in Art History, University of St Andrews

Modern and contemporary art can be both baffling and beautiful, it can also be innovative, political, and disturbing. Closely informed by new critical approaches, this book sets out to provide the first concise interpretation of this period. Jackson Pollock, Andy Warhol, Cindy Sherman, and Damien Hirst are among many artists discussed, within the political and cultural worlds t...(展开全部)

Modern and contemporary art can be both baffling and beautiful, it can also be innovative, political, and disturbing. Closely informed by new critical approaches, this book sets out to provide the first concise interpretation of this period. Jackson Pollock, Andy Warhol, Cindy Sherman, and Damien Hirst are among many artists discussed, within the political and cultural worlds t...(展开全部)

《当代韩国史(1945-2000)》内容简介：在当代韩国历史上，每当政党权力结构的均势发生重大变化，新上台的政治力量便修改宪法。20世纪50年代初，李承晚利用当时的战争环境及其产生的影响，在1952年操纵国会以起立表决的方式通过了以总统直选和两院制为内容的宪法修正案；1954年又采取非常手段以“四舍五入”修宪的方法为其第三次连任总统提供法律依据。1960年3月15日，当地试图第四次连任总统时，自由党政府被四月学生起义所推翻。但是，李承晚的下台却成了反对党上台的阶梯。1960年6月15日，窃取“4·19”革命成果的民主党使国会第三次修改宪法，建立了以张勉为首的内阁责任制的政府。但是，民主党是一个短命的政府，执政只有346天。这表明资产阶段议会制并不是解决韩国问题的灵丹妙药。1961年5月16，朴正熙领导的军人集团发动政变，持续了13年的“宪政统治”告一...(展开全部)

第七冊 台灣史 總序 壹、前言 貳、通論 參、史前史學與早期歷史的回顧 肆、清治時期台灣史研究的回顧 伍、日治時期台灣史研究的回顧 陸、戰後台灣史研究的回顧 柒、史料與工具書 捌、結論

本套書《戰後臺灣的歷史學研究：1945-2000》之出版，係依據2000年至2001年國科會人文研究中心《臺灣人文學界近數十年來之研究成果報告一歷史學門》，加以整理而成。 所謂戰後的研究成果指1945年至2000年臺灣地區的歷史學研究。整理方式，作有系統、有層次的闡述，全套共八冊，由國立臺灣大學高明士教授主編，各冊執筆者均為一時之選，此即古偉瀛、高明士（第一冊總論），林天人（第二冊先秦史），宋德、甘懷真、沈明得（第三冊秦漢至隨唐史），韓桂華、王明蓀（第四冊宋遼金元史），吳智和、賴福順（第五冊明清史），林正珍、劉瑞寬（第六冊中國近現代史），林玉如，李毓中（第七冊臺灣史），童長義、楊肅獻、王世宗（第八冊世界史）等主要內容，在於了解臺灣地區的歷史學梗概及其研究動向。至於學者出身於臺灣，而在海外發表之重要著作，進而對臺灣學界有重要影響時，乃由作者斟酌收進；...(展开全部)

"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all. So begins Hans Belting's iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier volume "The End of the History of A...(展开全部)

Photography After Conceptual Art presents a series of original essays that address substantive theoretical, historical, and aesthetic issues raised by post-1960s photography as a mainstream artistic medium Appeals to people interested in artist's use of photography and in contemporary art Tracks the efflorescence of photography as one of the most important mediums for contempor...(展开全部)

"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all. So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful vo...(展开全部)

"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all. So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful vo...(展开全部)